How Does the Split-Screen Bare the Device of Conventional Videography Techniques?
Porter’s 1903 film Life of an American Fireman, showed thoughts of the main character. In fact, the opening scene of the film is the fireman thinking of a woman and child.
From these films, which she physically manipulates with aggressive techniques, Fontaine constructs an imaginary world, a phantasmagoria of colors and shapes that transports the spectator to a parallel visual universe.
1978), images that commonly vary in characteristics are arranged on screen.
Bordwell, D. and K. Thompson. 2007. Film Art: An Introduction, 8th ed. New York: McGraw-Hill.
Carroll, N. 2003. Engaging the Moving Image. New Haven: Yale University Press. –––. 2008. The Philosophy of Motion Pictures. Oxford: Blackwell.
Sopocy, Martin. 1978. A Narrated Cinema: The Pioneer Story Films of James A. Williamson. Cinema Journal 18 (1): 1-28.