Given the Wild Popularity of Violent or Negative Films/Books, Why the Dark Hero, or Even the Villain, Is Idolized
Not only do Lex Luthor, Dracula and the Red Skull run unconstrained by conventional morality, they exist outside the limits of reality itself. Their evil, even at its most realistic, retains a touch of the unreal.
Hershey Medical Center/ Penn State Children's Hospital. "Pediatric health care providers should educate families about the violence depicted in this genre of film and the potential dangers that may occur when children attempt to emulate these perceived heroes," he said.
disorder; eros vs. thanatos – have resonated across American popular culture at least since The Last of the Mohicans,” and centuries before that (Greenberg 14). In The Structural Study of Myth, Claude Lévi-Strauss claims that the monster as villain stems from the metaphor of humanity’s triumph over the earth.
In other words, regular random acts of kindness may one day blossom into something far more profound.
Greenberg, Harvey Roy. Mere Anarchy: The Batman Trilogy. Clinical Psychiatry News, Vol. 40, No. 9 (Sept,. 2012). 14. Print.
Groensteen, Thierry. The System of Comics. Trans. Bart Beaty and Nick Nguyen. Jackson: University Press of Mississippi, 2007. Print.
Haraway, Donna. “A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s.” The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch, et al. New York: Norton, 2001. Print.