Black Panther's Cinematography
“Black Panther” brought something true and real to the screen, and moviegoers came in floods in 2018, bringing over $700 million to the box office. As you will read in our personal essays and in my interview with Carla Renata, “Black Panther” resonated deeply with many women, especially with women of color. Ryan Coogler’s “Black Panther” (2018) was chosen for our New Year issue because of the hope this film brought for onscreen representation, and because it’s proof that diverse, strong female characters do well in the box office.
My questioning of the limitations of historical thinking was provoked by seeing Black Panther the same week as the mass shooting at Marjory Stoneman Douglas High School. I am also struck by the leadership of the young student survivors insisting that something be done about gun violence in America. These students do not care about the past. They care about the future. Is it possible to have too much focus on history? The immediate reaction to current events in the past few years by humanist scholars -- sociologists, historians and literary historians in particular -- has been to look to history to try to understand the present. Engaged and robust communities of historians have sprung up, notably the African American Intellectual History Society (AAIHS), led by a group of smart and social media-savvy young historians, led by the extraordinary Keisha Blain of the University of Pittsburgh. Consider also the scholars engaged in the #Syllabus movement of the past few years, launched by Georgetown historian Marcia Chatelain in the wake of the 2014 killing of Michael Brown in Ferguson, Mo. These passionate historians advocate for an educated citizenry, a historically aware citizenry, a citizenry well versed in the institutions and social structures of power that have made the world as it is. Their assumption is that knowledge of the past is critical for disrupting existing arrangements and effecting political change.In the meantime the students of Marjory Stoneman Douglas, organizing protests, marches and vigils in the coming weeks, are teaching all of us an important political lesson: change sometimes involves walking out of school, turning your back on past failures and insisting on something new.
Five African clans war over a vibranium. One warrior ate a heart formed herb touched by the metal and it increased his superhuman capacities, turning him into the “black panther” he joined every tribe together except the Jabari clan to create a country called Wakanda. Wakanda a country of intense culture, technology evolved from just a third world country to a nation with its continent and other countries but Wakanda was only interested in keeping its People safe Hence kept their Vibranium to themselves; leaving the rest of the world without help. In 2018, Black panther was released; it is an American film based on Stan Lee’s marvel comics character black panther. It was set in secluded but technologically advanced African nation of Wakanda (King, O. (2019). It stars Chadwick Boseman As T’challa alongside Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright and many more. Ryan Cooglar’s Film Shows How Africa Was Represented In The Film through various, Costume . Long before the release of black panther, the western portrayal of Africa in films was one of filth, violence and misery; a Continent occupied by the uncultured and barbaric yet most naïve. The Movie enlightened people about the African culture through various pieces of culture, Cultural Practices, Costume, Language , Appreance and ideology represented in the film which belonged to several African countries and the fictional country Wakanda (Kemabonta, T. (2019).
In the final analysis, Black Panther accomplishes this feat on a profound level. Presenting Michael B. Jordan’s Erik Killmonger as the main antagonist to Chadwick Boseman’s protagonist King T’Challa, the film offers one of the most insightful, complex, and empathetic nemesis of the genre. Through Killmonger, Ryan Coogler, the director, presents a villain that fully challenges the protagonist both ideologically and physically, in turn, molding the hero. Killmonger as a perfect antagonist manages to unravel and attack the hero’s greatest flaws.
Kemabonta, T. (2019) OPINION: Comparing Africa And Wakanda From Marvel’S ‘Black Panther’ [online] available from
King, O. (2019) The Cultural Impact Of The Black Panther Movie On The African Diaspora[online] available from
Mutema, E. (2019) The African Influences In The Black Panther – Africa.Com [online] available from