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What Can We Glean About the Degree to Which Celebrities Are “Like Us” and Not Like Us Given Nytimes, Vulture, Buzzfeed, Vogue, Mirror Posts and How Does Gender Factor Into It?

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Are today's superstars really role models for today’s youth? I think they are! So many people in the entertainment business set great examples for our youth to strive for the best and most out of life. Take musicians they really come through in times of need

Take this past few weeks with the tragedies in New York City and Washington D. C they have helped organize relief funds and benefit concerts for the families who lost their loved ones. They went to the scenes and helped out by passing out food and water. This I think sets a good positive outlook for today's youth. It shows that not everything is about glamour and that these superstars are affected by this as well and everyone needs to lend a hand.

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Platform Feminism: Celebrity Culture and Activism in the Digital Age tells the story of digital platforms' role in the feminist movement during the early 21st century

Taking celebrity culture as a potent site at which to analyze the new visibilities of feminism and its responses to a new wave of conservative and deeply reactionary politics, I explore the ways in which networked publics coalesce around celebrity events and, in discussing, analyzing, and critiquing various actors within these events, engage in boundary work around what it means to “be a feminist.” From responses to celebrity harassment to hashtag campaigns supporting celebrity feminism to critiques of imperfect feminist celebrities, this dissertation explores the contentious debates about feminism that arise around celebrity culture within digital spaces. To analyze these discourses, this project draws together literature from three often-disparate academic subfields: platform studies, feminist media studies, and celebrity studies. Using a case study approach, each chapter draws on intersectional feminist theory to examine a celebrity event from 2014-2016 that incited controversy across a variety of media platforms around issues of gender, sexuality, race, and class. I track each event across online and legacy media outlets and engage in multiplatform critical technocultural discourse analysis to analyze how discussions amongst issue publics that coalesce around each event both reflect and further define contemporary feminist discourses in ways that are often distinctly shaped by the digital platforms on which they emerge.

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We all know who these intriguing individuals known as ‘celebrities’ are, and many of us idolize them. Endless amounts of money are poured into the mass media, simply to find out who is getting divorced or engaged, who is cheating on whom, who is too fat or too skinny. We keep our eyes peeled for “baby bumps” and inspect closely what they wear. However, many of us no longer understand precisely what a celebrity is, or analyze the effects “ the phenomenon known as the Culture of Celebrity” (Epstein) is having on our social understandings as ordinary individuals

Epstein tries to shed light into the phenomenon by quoting a definition of “The celebrity” as “a person who is well-known for his well-knownness.” Unfortunately, people today think of being a celebrity and being famous as one and the same thing. However, the truth is that fame is “earned,” while the celebrity status is “cultivated [or] thrust upon” an individual by the media industries, promotions and publicity. In the recent years, celebrities have started playing a much expansive and greater role across many aspects of the cultural field. Indeed, we all want a meaningful existence as humans. We want to feel secure and our belief that there is always room for growth is nothing but a myth that we feed off. It is this potential (although significantly small) that is demonstrated by celebrities that we could be more than what we are, and this is what makes us relate to them. “Celebrity culture encourages everyone to think of themselves as potential celebrities, [] Reality, in fact, is dismissed and shunned as an impediment to success, a form of negativity” (Hedges). It is apparent that we as a population of the world are not represented by most of these celebrities. Although signs of an open society are displayed by them, the unique lifestyle that is displayed by them is full of hedonism and wealth that a majority of us cannot attain. Despite this, we live our lives believing that we can be in their positions and strive to accomplish this, and somehow we tend to relate to them. It is because celebrity culture that parasocial relationships have formed in our society, where average individuals like us feel an intense sense of connectedness with these celebrities in a one-way relationship.

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Thus, celebrities have all the elements needed to become positive role models, hence explaining why most of them inspire others. Two female media personalities, Angelina Jolie and Oprah Winfrey, have proved this assertion by their relentless drive in their careers and their philanthropic work. Angelina’s values and use of her role as a media personality have inspired others

Oprah’s career accomplishments and charity work teach others how to be professionals and how to use their wealth selflessly. These celebrities still have some flaws; nonetheless, their imperfections do not discredit all the positive work they have done. Celebrities’ lives are easily identifiable to the public and can thus make them good role models.

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Epstein, Joseph. "The Culture of Celebrity." Weekly Standard. 11.5 (2005): n. page. Print. .

Gabler, Neal. "Celebrity Culture Is Beneficial." Trans. ArrayCelebrity Culture (Opposing Viewpoints). Detroit: Greenhaven Press, 2010. Print.

Hedges, Chris. " Celebrity Culture Is Harmful." Trans. ArrayCelebrity Culture (Opposing Viewpoints). Detroit: Greenhaven Press, 2010. Print.

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