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Analysis of The Longest Ride

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“The Longest Ride” “The Longest Ride” by Nicholas Sparks is a novel that tells two love stories. The first is that of Ira Levinson a 91-year-old widower and his late wife Ruth. Ira’s story starts with him trapped inside a car following his accident, which rolls his car off the edge of a two-lane highway, due to harsh weather conditions. Stuck in the vehicle it starts to snow and he soon finds himself dehydrated and loosing blood. As this occurs Ruth, who had been dead nine years, appears to him. Ira is able to stay awake and alert by Ruth asking him to recall how they met, the precious paintings they collected together, and the dark days of WWII.

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Ira Levinson is in trouble. At ninety-one years old, in poor health and alone in the world, he finds himself stranded on an isolated embankment after a car crash. Suffering multiple injuries, he struggles to retain consciousness until a blurry image materializes and comes into focus beside him: his beloved wife Ruth, who passed away nine years ago. Urging him to hang on, she forces him to remain alert by recounting the stories of their lifetime together – how they met, the precious paintings they collected together, the dark days of WWII and its effect on them and their families. Ira knows that Ruth can’t possibly be in the car with him, but he clings to her words and his memories, reliving the sorrows and everyday joys that defined their marriage. A few miles away, at a local bull-riding event, a Wake Forest College senior’s life is about to change. Recovering from a recent break-up, Sophia Danko meets a young cowboy named Luke, who bears little resemblance to the privileged frat boys she has encountered at school

Through Luke, Sophia is introduced to a world in which the stakes of survival and success, ruin and reward -- even life and death – loom large in everyday life. As she and Luke fall in love, Sophia finds herself imagining a future far removed from her plans -- a future that Luke has the power to rewrite . . . if the secret he’s keeping doesn’t destroy it first. Ira and Ruth. Sophia and Luke. Two couples who have little in common, and who are separated by years and experience. Yet their lives will converge with unexpected poignancy, reminding us all that even the most difficult decisions can yield extraordinary journeys: beyond despair, beyond death, to the farthest reaches of the human heart.

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In the final analysis, while Robertson flashes a PG-13 breast, it is Eastwood’s right nipple that gets a close-up in a bed scene. Still, the only thing that all this macho beefcake objectifying achieved was to give me a hankering to watch “Rawhide” reruns and admire the real deal, instead.

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